Boarding life

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name: jort / age: 25 / profession: visual artist / location: amsterdam / weekday: thursday / reference: Dartington Hall School (1926-1987) offered progressive education and a coeducational boarding life. As a first to do so it was notorious for mixed sleeping.

97 HOUSE MAIDS

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name: daniela / age: 30 / profession: artist / location: barcelona / weekday: monday / reference: 97 selected photographs showing groups of Peruvian high class people in daily domestic situations. In the background of each image one can see either a figure or a deletion of a domestic worker. All images have been collected from the social network site Facebook. Project by Daniela Ortiz.

cleaning dust

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name: binna / age: 34 / profession: director & curator / location: utrecht / weekday: tuesday / reference: domestic work as a suspension of other work at home riddled with anxiety (over the spent time and therefore less time for other work or experiencing catharsis (getting things done and making a proper home ground) it demands its own time and peace.

97 HOUSE MAIDS

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name: daniela / age: 30 / profession: artist / location: barcelona / weekday: monday / reference: 97 selected photographs showing groups of Peruvian high class people in daily domestic situations. In the background of each image one can see either a figure or a deletion of a domestic worker. All images have been collected from the social network site Facebook. Project by Daniela Ortiz.

informal residence

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name: andrea / age: 32 / profession: writer & part-time bookseller / location: barcelona / weekday: sunday / reference: tengo una habitación extra con las cosas de mi amiga alex que vive fuera. a cambio de acogerla en casa durante su último proyecto ‘te oímos beber’ me ha regalado una tomatera y una pieza.

Invisible Domestic Labour: The Dusting Frenetically Series

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name: Lamis / age: 29 / profession: Housework Practitioner / location: London / weekday: Monday / reference: ‘I perceive that the work we raise is not unique, nor isolated, that the air around it constitutes other surfaces, other grounds, other ceilings […] The work is not made only of itself: the outside exists. The outside shuts me in its whole which is like a room.’ Le Corbusier, Precisions, (New York: MIT Press, 1991) p.78.

WASHING PLACE

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name: pilar / age: 51 / profession: architect / location: castellón /
weekday: tuesday / reference: Vicentica is 82 years old. Her son has bought her a washing machine, but she still prefers to use the washing place in the street. She needs a domestic excuse to occupy the public space. Almenara, 1996.

Arguing

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name: Lamis / age: 29 / profession: Housewerk practitioner / location: London / weekday: Sunday / reference: Luce Irigaray, How Can We Live Together in a Lasting Way, Key Writings, London: Continuum, 2004.

Invisible Domestic Labour: The Dusting Frenetically Series

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name: Lamis / age: 29 / profession: Housework Practitioner / location: London / weekday: Monday / reference: “I perceive that the work we raise is not unique, nor isolated, that the air around it constitutes other surfaces, other grounds, other ceilings […] The work is not made only of itself: the outside exists. The outside shuts me in its whole which is like a room.” Le Corbusier, Precisions, (New York: MIT Press, 1991) p.78.

Invisible Domestic Labour: The Dusting Frenetically Series

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name: Lamis / age: 29 / profession: Housework Practitioner / location: London / weekday: Monday / reference: “I perceive that the work we raise is not unique, nor isolated, that the air around it constitutes other surfaces, other grounds, other ceilings […] The work is not made only of itself: the outside exists. The outside shuts me in its whole which is like a room.” Le Corbusier, Precisions, (New York: MIT Press, 1991) p.78.

alone in the kitchen

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name: pilar / age: 51 / profession: architect / location: castellón / weekday: saturday / reference: After lunch, I hate staying alone in my dark little kitchen, making coffee and doing the washing up. Everybody is laughing in the dining room. 3 metres corridor, my unhappiness. Castellón, 1995.

In Memory of Athiraman Kannan

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name: trenton / age: 30 / profession: publisher / location: london / weekday: wednesday / reference: on the 11th may 2011 news reached jeddah that a man, later to named athiraman kannan, had the previous day, jumped to his death from the 147th floor of the world’s tallest building; the burji khalifa. from india, he came to dubai to work. he cleaned the newly opened building. in an attempt to honour athiraman kannan, and his courageous call for attention to the lives of migrant workers, that afternoon i photographed what i had in previous weeks started to describe as a ‘pop out city’. these spaces were described to me by the domestic workers as an attempt at permanency, comfort and retreat in an always vulnerable and precarious life as a migrant worker. unlike the families they worked for, whose life exists almost entirely behind these walls, their lives exist on the street, which is forging new notions ‘the public’ in city largely concerned with ‘privacy’. (image taken the 11th may 2011 in al naeem, jeddah.)

working the streets

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name: sohrab / age: 29 / profession: artist / location: london / weekday: monday / reference: this woman in Kabul sells magazines in the street to make a bit of extra money for their household. selling (these) magazines is regarded just slightly more worthy than begging or prostitution.

97 HOUSE MAIDS

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name: daniela / age: – / profession: artist / location: barcelona / weekday: thursday / reference: 97 selected photographs showing groups of Peruvian high class people in daily domestic situations. In the background of each image one can see either a figure or a deletion of a domestic worker. All images have been collected from the social network site Facebook. Project by Daniela Ortiz.

In Memory of Athiraman Kannan

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name: trenton / age: 30 / profession: publisher / location: london / weekday: wednesday / reference: on the 11th may 2011 news reached jeddah that a man, later to named athiraman kannan, had the previous day, jumped to his death from the 147th floor of the world’s tallest building; the burji khalifa. from india, he came to dubai to work. he cleaned the newly opened building. in an attempt to honour athiraman kannan, and his courageous call for attention to the lives of migrant workers, that afternoon i photographed what i had in previous weeks started to describe as a ‘pop out city’. these spaces were described to me by the domestic workers as an attempt at permanency, comfort and retreat in an always vulnerable and precarious life as a migrant worker. unlike the families they worked for, whose life exists almost entirely behind these walls, their lives exist on the street, which is forging new notions ‘the public’ in city largely concerned with ‘privacy’. (image taken the 11th may 2011 in al naeem, jeddah.)

CLEAN BEDSPREADS

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name: pilar / age: 51 / profession: architect / location: Castellón / weekday: wednesday / reference: During Corpus Christi procession, women hang out in their balconies the best bedspread or tablecloth, clean and perfectly ironed. photo taken in Castellón, 1993.

moving

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name: Adam / age: 30 / profession: landscape architect / location: Hong kong / weekday: monday / reference: cultural workers move/migrate for residencies, exhibitions, appointments, teaching, internships, etc.

97 HOUSE MAIDS

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name: daniela / age: – / profession: artist / location: barcelona / weekday: wednesday / reference: 97 selected photographs showing groups of Peruvian high class people in daily domestic situations. In the background of each image one can see either a figure or a deletion of a domestic worker. All images have been collected from the social network site Facebook. Project by Daniela Ortiz.

bouche-évier

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560897_522703-stopperaname: marc / age: 30 / profession: artist / location: amsterdam / weekday: wednesday / reference: sink stopper, marcel duchamp, 1964. he made it unintentionally, filling in the leaking section of his shower head with lead. it eventually became unusable and he had it cast.

In Memory of Athiraman Kannan

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name: trenton / age: 30 / profession: publisher / location: london / weekday: wednesday / reference: on the 11th may 2011 news reached jeddah that a man, later to named athiraman kannan, had the previous day, jumped to his death from the 147th floor of the world’s tallest building; the burji khalifa. from india, he came to dubai to work. he cleaned the newly opened building. in an attempt to honour athiraman kannan, and his courageous call for attention to the lives of migrant workers, that afternoon i photographed what i had in previous weeks started to describe as a ‘pop out city’. these spaces were described to me by the domestic workers as an attempt at permanency, comfort and retreat in an always vulnerable and precarious life as a migrant worker. unlike the families they worked for, whose life exists almost entirely behind these walls, their lives exist on the street, which is forging new notions ‘the public’ in city largely concerned with ‘privacy’. (image taken the 11th may 2011 in al naeem, jeddah.)

In Memory of Athiraman Kannan

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name: trenton / age: 30 / profession: publisher / location: london / weekday: wednesday / reference: on the 11th may 2011 news reached jeddah that a man, later to named athiraman kannan, had the previous day, jumped to his death from the 147th floor of the world’s tallest building; the burji khalifa. from india, he came to dubai to work. he cleaned the newly opened building. in an attempt to honour athiraman kannan, and his courageous call for attention to the lives of migrant workers, that afternoon i photographed what i had in previous weeks started to describe as a ‘pop out city’. these spaces were described to me by the domestic workers as an attempt at permanency, comfort and retreat in an always vulnerable and precarious life as a migrant worker. unlike the families they worked for, whose life exists almost entirely behind these walls, their lives exist on the street, which is forging new notions ‘the public’ in city largely concerned with ‘privacy’. (image taken the 11th may 2011 in al naeem, jeddah.)

In Memory of Athiraman Kannan

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name: trenton / age: 30 / profession: publisher / location: london / weekday: wednesday / reference: on the 11th may 2011 news reached jeddah that a man, later to named athiraman kannan, had the previous day, jumped to his death from the 147th floor of the world’s tallest building; the burji khalifa. from india, he came to dubai to work. he cleaned the newly opened building. in an attempt to honour athiraman kannan, and his courageous call for attention to the lives of migrant workers, that afternoon i photographed what i had in previous weeks started to describe as a ‘pop out city’. these spaces were described to me by the domestic workers as an attempt at permanency, comfort and retreat in an always vulnerable and precarious life as a migrant worker. unlike the families they worked for, whose life exists almost entirely behind these walls, their lives exist on the street, which is forging new notions ‘the public’ in city largely concerned with ‘privacy’. (image taken the 11th may 2011 in al naeem, jeddah.)

moving

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name: adam / age: 30 / profession: landscape architect / location: hong kong / weekday: friday / reference: cultural workers move/migrate for residencies, exhibitions, appointments, teaching, internships, etc.

feeding birds

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name: Luciana / age: 35 / profession: photographer / location: Amsterdam / weekday: monday / reference: One of my passions are birds. If I had to choose other form of existence I would rather be a bird. I love to watch the birds. The winter came and I feel worried about them how difficult is to get food. I feed birds every day.

organizing

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name: ANACORETA / age: 57 / profession: DOMESTIC WORKER / location: the netherlands / weekday: Monday / reference: informing other domestic workers about the importance of being together fighting for workers rights.

home economics

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name: jenny / age: 32 / profession: producer / location: sant martí vell / weekday: tuesday / reference: Thoreau’s intention during his time at Walden Pond was “to conduct an experiment: Could he survive, possibly even thrive, by stripping away all superfluous luxuries, living a plain, simple life in radically reduced conditions?” He thought of it as an experiment in “home economics”. Although Thoreau went to Walden to escape what he considered, “over-civilization”, and in search of the “raw” and “savage delight” of the wilderness, he also spent considerable amounts of his time reading and writing.

Leaving home

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name: pilar / age: 51 / profession: architect / location: castellón / weekday: friday / reference: She is leaving home, but her only hand luggage is the shopping trolley, so she will go back. Another domestic excuse to occupy the public space. amsterdam, 1998.

moving

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name: adam / age: 30 / profession: landscape architect / location: hong kong / weekday: thursday / reference: cultural workers move/migrate for residencies, exhibitions, appointments, teaching, internships, etc.

moving

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name: adam / age: 30 / profession: landscape architect / location: hong kong / weekday: thursday / reference: cultural workers move/migrate for residencies, exhibitions, appointments, teaching, internships, etc.

working on land!

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name: valery / age: do not remember / profession: photographer / location: St. Petersburg / weekday: wednesday / reference: Working at my mother’s garden. This is some kind anti melancholy pill for me – working on land!

In Memory of Athiraman Kannan

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name: trenton / age: 30 / profession: publisher / location: london / weekday: wednesday / reference: on the 11th may 2011 news reached jeddah that a man, later to named athiraman kannan, had the previous day, jumped to his death from the 147th floor of the world’s tallest building; the burji khalifa. from india, he came to dubai to work. he cleaned the newly opened building. in an attempt to honour athiraman kannan, and his courageous call for attention to the lives of migrant workers, that afternoon i photographed what i had in previous weeks started to describe as a ‘pop out city’. these spaces were described to me by the domestic workers as an attempt at permanency, comfort and retreat in an always vulnerable and precarious life as a migrant worker. unlike the families they worked for, whose life exists almost entirely behind these walls, their lives exist on the street, which is forging new notions ‘the public’ in city largely concerned with ‘privacy’. (image taken the 11th may 2011 in al naeem, jeddah.)

inedible

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name: Kim / age: 54 / profession: artist, curator / location: St. louis Missouri/ weekday: thursday / reference: a trash bin behind a tourist oriented restaurant on Laclede’s landing near the st louis arch. how nice of them to label the can for those that might think otherwise!

beau travail

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name: rogier / age: 30 / profession: graphic designer & artist / location: amsterdam / weekday: thursday / reference: still from ‘beau travail’ (1999) by claire denis, 90 min. with denis lavant, michel subor, grégoire colin, richard courcet. this film focuses on an ex-foreign legion officer as he recalls his once glorious life, leading troops in the gulf of djibouti.

In Memory of Athiraman Kannan

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name: trenton / age: 30 / profession: publisher / location: london / weekday: wednesday / reference: on the 11th may 2011 news reached jeddah that a man, later to named athiraman kannan, had the previous day, jumped to his death from the 147th floor of the world’s tallest building; the burji khalifa. from india, he came to dubai to work. he cleaned the newly opened building. in an attempt to honour athiraman kannan, and his courageous call for attention to the lives of migrant workers, that afternoon i photographed what i had in previous weeks started to describe as a ‘pop out city’. these spaces were described to me by the domestic workers as an attempt at permanency, comfort and retreat in an always vulnerable and precarious life as a migrant worker. unlike the families they worked for, whose life exists almost entirely behind these walls, their lives exist on the street, which is forging new notions ‘the public’ in city largely concerned with ‘privacy’. (image taken the 11th may 2011 in al naeem, jeddah.)

In Memory of Athiraman Kannan

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name: trenton / age: 30 / profession: publisher / location: london / weekday: wednesday / reference: On the 11th May 2011 news reached Jeddah that a man, later to named Athiraman Kannan, had the previous day, jumped to his death from the 147th floor of the world’s tallest building; the Burji Khalifa. From India, he came to Dubai to work. He cleaned the newly opened building. In an attempt to honour Athiraman Kannan, and his courageous call for attention to the lives of migrant workers, that afternoon I photographed what I had in previous weeks started to describe as a ‘pop out city’. These spaces were described to me by the domestic workers as an attempt at permanency, comfort and retreat in an always vulnerable and precarious life as a migrant worker. Unlike the families they worked for, whose life exists almost entirely behind these walls, their lives exist on the street, which is forging new notions ‘the public’ in city largely concerned with ‘privacy’. (Image taken the 11th May 2011 in Al Naeem, Jeddah.)

cleaning

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name: ulla / age: 31 / profession: artist / location: amsterdam / weekday: tuesday / reference: my mum is outside the tent cleaning the inside and outside of the tent, inside the light is like an orange sunset that surrounds you. the smell is a basement.

rentability

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name: maría / age: 43 / profession: artist, researcher & teacher / location: barcelona / weekday: monday / reference: freedom, equality, rentability. still from ‘tiempo real’ (2003) by maría ruido, 43 min.

In Memory of Athiraman Kannan

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name: trenton / age: 30 / profession: publisher / location: london / weekday: wednesday / reference: on the 11th may 2011 news reached jeddah that a man, later to named athiraman kannan, had the previous day, jumped to his death from the 147th floor of the world’s tallest building; the burji khalifa. from india, he came to dubai to work. he cleaned the newly opened building. in an attempt to honour athiraman kannan, and his courageous call for attention to the lives of migrant workers, that afternoon i photographed what i had in previous weeks started to describe as a ‘pop out city’. these spaces were described to me by the domestic workers as an attempt at permanency, comfort and retreat in an always vulnerable and precarious life as a migrant worker. unlike the families they worked for, whose life exists almost entirely behind these walls, their lives exist on the street, which is forging new notions ‘the public’ in city largely concerned with ‘privacy’. (image taken the 11th may 2011 in al naeem, jeddah.)

97 HOUSE MAIDS

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name: daniela / age: – / profession: artist / location: barcelona / weekday: tuesday / reference: 97 selected photographs showing groups of Peruvian high class people in daily domestic situations. In the background of each image one can see either a figure or a deletion of a domestic worker. All images have been collected from the social network site Facebook. Project by Daniela Ortiz.

unfinished novel

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name: andrea / age: 32 / profession: writer & part-time bookseller / location: barcelona / weekday: sunday / reference: en mi biblioteca hay un tramo en el que las cosas dejan de estar en vertical porque no caben… ¡o necesitan descasar!

rotting walls

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name: lucía / age: 35 / profession: artist / location: barcelona / weekday: thursday / reference: Storm. leaks and moisture. even water drops where they shouldn’t be, the owner shirks any repair. four layers of paint have been completely useless.

In Memory of Athiraman Kannan

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name: trenton / age: 30 / profession: publisher / location: london / weekday: wednesday / reference: On the 11th May 2011 news reached Jeddah that a man, later to named Athiraman Kannan, had the previous day, jumped to his death from the 147th floor of the world’s tallest building; the Burji Khalifa. From India, he came to Dubai to work. He cleaned the newly opened building. In an attempt to honour Athiraman Kannan, and his courageous call for attention to the lives of migrant workers, that afternoon I photographed what I had in previous weeks started to describe as a ‘pop out city’. These spaces were described to me by the domestic workers as an attempt at permanency, comfort and retreat in an always vulnerable and precarious life as a migrant worker. Unlike the families they worked for, whose life exists almost entirely behind these walls, their lives exist on the street, which is forging new notions ‘the public’ in city largely concerned with ‘privacy’. (Image taken the 11th May 2011 in Al Naeem, Jeddah.)