About

Werker is an experimental publishing initiative operating in the intersection of labour, ecofeminism and the LGBTQI+ movements in favour of an image critique of daily life, to analyse what is made visible and what remains hidden or silenced in different political contexts. It was initiated by Marc Roig Blesa and Rogier Delfos in Amsterdam in 2009 by releasing ten issues of a publication called Werker Magazine.

Werker takes inspiration from Der Vereinigung der Arbeiter-Fotografen (the association of worker photographers), a group of politicised photo-clubs that appeared in Germany in the 1920’s, following in the steps of the first socialist photography experiments in the USSR which extended into the rest of Europe, the United States, and Japan. It takes an interest in working methodologies based on self-representation, self-publishing, image analysis, collective authorship and counter-archiving.

Werker aims to expand the notion of self-publishing into a variety of media such as moving image, digital publishing, installation, printed matter and performance. It operates contextually, thus exploring different forms and strategies of interaction with a variety of audiences.

For the last 10 years, under the name Werker Collective, it has been hosting photography, design and publishing workshops with students, cultural workers, self-organised unions of migrant domestic workers, undocumented migrants, in support of anti-eviction activists, feminist groups, LGBTQI+ communities and people with neurological or functional diversities, amongst others. Through these workshops, Werker Collective is weaving an intersectional and transnational network of allies, reactivating oppressed histories and inquiring worker’s solidarity through collaborative artistic practice. (Further reading: Yes With Us, Never About Us: Art/Workers, Solidarity and Privilege. Collectively, Werker Collective, Iaspis Stockholm 2021)

One of Werker’s more recent developments is the Werker Archive which carries the mission of collecting, preserving and spreading the legacy of self-organised radical documentary practices initiated by the association of worker photographers in the 1920’s. The aim of this archive is to provide tools to enable the production of anti-capitalist, anti-imperialist and anti-patriarchal political imagination. Werker Archive is physically located in the Nieuwmarkt neighbourhood of Amsterdam and it is activated regularly through workshops, performances, installations and publications. It comprises more than 3000 historical and contemporary documents. Its oldest document being an albumen print from the 1871 insurrection that led to the Paris Commune, the first self-organised worker’s government in modern history. The archive is ever-expanding as contemporary documents are being produced through workshops, and historical materials are collected from archives in affinity, donations and personal acquisitions.

Reassessing the archive, its authority and language, is at the basis of a politics of restitution which is meant to repair the damage that has been made through the centuries, to large amounts of populations and ecosystems in the world, mostly in the name of progress and civilisation. Amending the past is a politics of the future. (Further reading: Imaging Dissent: Towards Becoming a Common Subject. Werker Collective, Art & Education Classroom, e-flux January 2020)

Some of the artists, activists, researchers, unions, schools, museums and archives that compose Werker’s ecosystem are: Activestills, Ariella Aïsha Azoulay, Association Ancrages, Casco Art Institute: Working for the Commons, Centre Culturel Populaire Palentes Orchamp (Groupes Medvedkine), Centro de Arte Dos de Mayo, Ciudadan@s en Defensa de la Escuela Pública, Dar Chabab, Der Arbeiter-Fotograf, Dutch Art Institute, Georgy Mamedov, International Institute of Social History, Jo Spence Memorial Archive, @juancarlosmohr, Julia Morandeira Arrizabalaga, Silvia Federici, MayDay Rooms, Museu d’Art Contemporani de Barcelona, Photography Workshop, Jo Spence Memorial Archive, Rijksakademie van Beelende Kunsten, Sindillar: Sindicato de Trabajadoras del Hogar y los Cuidados, Susoespai: Creació i Salut Mental, Stedelijk Museum, Steve Edwards, Sonsbeek 20–24, Tate Modern, Taula en Defensa dels Drets de les Treballadores de la Llar i les Cures, The Showroom, The Voice of Domestic Workers, We Are Here.

Contact

Werker Archive
Geldersekade 74
1012 BL Amsterdam
The Netherlands

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Image: Improvised photo-lab in a living-room. Amateur Worker-Photographers. Berlin 1920’s

Visit our project websites:

Domestic Worker Photographer Network →

Werker Correspondent →

06/12/201820/03/2019 by Rogier

(Residency)

Queer 2 Peer Cine Club

An open platform exploring the intersection between peer-to-peer and queer cultures through experimental essayistic filmmaking, media analysis and togetherness.    This project is inspired by the creativity of polish amateur film-makers from the communist era that managed to build their counter-narratives repurposing the cameras, film and editing tools that were offered to them in official cine-clubs organised by factories throughout the country.    How can we repurpose the tools that are offered to us by capitalism? Revealing hidden or overlooked aspects of our day-to-day politics can help us to articulate alternative spaces of shared life experience and support our structures of self-governance.    We invite anyone interested to join our collective editing process towards the articulation of a series of short amateur films focusing on different materialist aspects from our queer realities that demand urgent attention; housing, reproductive work, family, labour, mass-media, sports, revolution and desire. How can filmmaking support our political imagination and emphasize queer modes of being in the world?

26 April – 26 May 2018   Workspace open on Thursdays:  26/04, 10/05, 17/05, 24/05   12:00 – 21:00 (public screening &  discussion at 19:00)   CCA Ujazdowski Castle   Jazdów 2, 00–467 Warsaw.