Work + work + workshop

Lukasz Koterba, Kim Kannler, Werker Magazine and the Front Line
In the 1960s and 1970s artists like Constant, Provo, and Beuys in Europe, Fluxus in the US and Massota in Argentina have called for the blurring of art into life and work into play. Today their dreams have eerily materialized into the prevailing post-Fordist service economy, which feeds on creativity, mobility, and elasticity. […] How is Joseph Beuys’s motto “everybody is an artist” revamped and repackaged in the so-called New Economy?

30/04 19:30
Tetterode M4, 
 Da Costakade 158,