in charge

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IMG_0023name: info / age: ∞ / profession: unknown / location: berkeley / weekday: wednesday / reference: free reign, open ended, do what you want, take over.

working on land!

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name: valery / age: do not remember / profession: photographer / location: St. Petersburg / weekday: wednesday / reference: Working at my mother’s garden. This is some kind anti melancholy pill for me – working on land!

being a prop bitch pays, untill the paint fumes kill

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name: Laura Jane / age: 23 / profession: cinema worker & print maker / location: hackney / weekday: monday / reference: we worked last summer for a prop design company in brixton, we had to trim 1000 giant paper roses that were made in china and then shipped over to us to trim and style and then be painted because they had been made in the the wrong colour. The roses painted the roses in the same room as us which had no ventilation but we were not allowed to open the roll up door because the warehouse backed onto coldharbour lane which we got told by a man walking by when did rebel and open the shutter that this was murder mile, but everywhere in london has there own murder mile. this was a horrible job but it was the best paid job ive had since i graduated with a fine art degree.

the missing part

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name: Ella / age: 35 / profession: artist / location: jerusalem / reference: Yesterday i told my friend that i can’t stand peuple put photos of their children without clothing on social media. But then, i just couldn’t resist the magic

Arguing

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name: Lamis / age: 29 / profession: Housewerk practitioner / location: London / weekday: Sunday / reference: Luce Irigaray, How Can We Live Together in a Lasting Way, Key Writings, London: Continuum, 2004.

Siesta

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siesta
name: Angela / age: 27 / profession: Artist & student / location: Madrid / weekday: Sunday / reference: When you wake up and then there is a war into your livingroom and you feel afraid of humans

In Memory of Athiraman Kannan

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name: trenton / age: 30 / profession: publisher / location: london / weekday: wednesday / reference: on the 11th may 2011 news reached jeddah that a man, later to named athiraman kannan, had the previous day, jumped to his death from the 147th floor of the world’s tallest building; the burji khalifa. from india, he came to dubai to work. he cleaned the newly opened building. in an attempt to honour athiraman kannan, and his courageous call for attention to the lives of migrant workers, that afternoon i photographed what i had in previous weeks started to describe as a ‘pop out city’. these spaces were described to me by the domestic workers as an attempt at permanency, comfort and retreat in an always vulnerable and precarious life as a migrant worker. unlike the families they worked for, whose life exists almost entirely behind these walls, their lives exist on the street, which is forging new notions ‘the public’ in city largely concerned with ‘privacy’. (image taken the 11th may 2011 in al naeem, jeddah.)

97 HOUSE MAIDS

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name: daniela / age: 30 / profession: artist / location: barcelona / weekday: monday / reference: 97 selected photographs showing groups of Peruvian high class people in daily domestic situations. In the background of each image one can see either a figure or a deletion of a domestic worker. All images have been collected from the social network site Facebook. Project by Daniela Ortiz.

In Memory of Athiraman Kannan

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name: trenton / age: 30 / profession: publisher / location: london / weekday: wednesday / reference: On the 11th May 2011 news reached Jeddah that a man, later to named Athiraman Kannan, had the previous day, jumped to his death from the 147th floor of the world’s tallest building; the Burji Khalifa. From India, he came to Dubai to work. He cleaned the newly opened building. In an attempt to honour Athiraman Kannan, and his courageous call for attention to the lives of migrant workers, that afternoon I photographed what I had in previous weeks started to describe as a ‘pop out city’. These spaces were described to me by the domestic workers as an attempt at permanency, comfort and retreat in an always vulnerable and precarious life as a migrant worker. Unlike the families they worked for, whose life exists almost entirely behind these walls, their lives exist on the street, which is forging new notions ‘the public’ in city largely concerned with ‘privacy’. (Image taken the 11th May 2011 in Al Naeem, Jeddah.)

In Memory of Athiraman Kannan

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name: trenton / age: 30 / profession: publisher / location: london / weekday: wednesday / reference: on the 11th may 2011 news reached jeddah that a man, later to named athiraman kannan, had the previous day, jumped to his death from the 147th floor of the world’s tallest building; the burji khalifa. from india, he came to dubai to work. he cleaned the newly opened building. in an attempt to honour athiraman kannan, and his courageous call for attention to the lives of migrant workers, that afternoon i photographed what i had in previous weeks started to describe as a ‘pop out city’. these spaces were described to me by the domestic workers as an attempt at permanency, comfort and retreat in an always vulnerable and precarious life as a migrant worker. unlike the families they worked for, whose life exists almost entirely behind these walls, their lives exist on the street, which is forging new notions ‘the public’ in city largely concerned with ‘privacy’. (image taken the 11th may 2011 in al naeem, jeddah.)

rotting walls

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name: lucía / age: 35 / profession: artist / location: barcelona / weekday: thursday / reference: Storm. leaks and moisture. even water drops where they shouldn’t be, the owner shirks any repair. four layers of paint have been completely useless.